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The Grind

The Grind
Two pictures of the author with their bike.

Cycling through adulthood

Kastella Nguyen
  •  
Nov. 17, 2022
The Grind
The 2022 Bearial, where a student has the head and body of a bear in separate hands and walks into The Claw, a fountain.

What’s the point of a rivalry?

Sam Waddoups
  •  
Nov. 16, 2022
The Grind
A crowd of happy students at a football game sits inside a thought bubble connected to a puzzled looking character. Text reads "My big game plan, if I were actually going."

My Big Game plan if I decide to go to Big Game

Kyla Figueroa
  •  
Nov. 15, 2022
The Grind
A computer features a variety of faces on Zoom.

Why you should try teaching

Sarayu Pai
  •  
Nov. 14, 2022
The Grind
A pair of chopsticks hold up a dumpling, framed against an orange background. A melting, blue and yellow clock dangles from the dumpling.

‘The Mirror’: The traveler’s malady

Eric Liu
  •  
Nov. 13, 2022
The Grind
Someone bikes past a planetary orb in the Engineering Quad.

Observer: Searching for purpose

Benjamin Midler
  •  
Nov. 10, 2022
The Grind
A wooden fence encloses a grassy yard. There is a tree on the left side and some kind of white swing-like structure in the middle. The sun is setting.

Backyards: a shelter from the hurting

Kyla Figueroa
  •  
Nov. 8, 2022
The Grind
It is dark out, and Hindu priest conducting a religious havan. There are two other religious officers in front and behind.

‘Vrata’: A Hindu priest’s lesson on dedication to goals amidst Stanford’s cacophony of opportunity

Diya Sabharwal
  •  
Nov. 6, 2022
The Grind
A drawing of a person sitting on a slope and holding the weight of a boulder.

Sisyphus, or the struggle of joy in college

Michelle Fu
  •  
Nov. 3, 2022
The Grind
A crowd of people watch an outdoor production of Waiting for Godot. There are two actors standing on the left and right and in the center there is a tree lit up by purple lighting. On the tree there is a sign reading, "Next Day. Same Time. Same Place."

An invitation to reconsider: The role of the audience

Yonatan Laderman
  •  
Nov. 2, 2022
The Grind
A mirror that stands on a desk in an empty room.

Six variations on a crowded, lonely room

Brandon Kim
  •  
Nov. 1, 2022
The Grind
Someone sits at a round table overflowing with potted plants and cups. The two dark bars on the left and right make it seem like we are peeking through a door.

Paper scraps: Hey honey or something

Isabelle Edgar
  •  
Oct. 31, 2022
The Grind
Students enjoy performances by Tkay Maidza, Victoria Monét, and Aminé at the 2022 Frost Festival for Music and the Arts presented by Stanford Concert Network.

Le Petit Prince: On social life

Benjamin Marra
  •  
Oct. 30, 2022
The Grind
Waves crash onto golden sand beneath a cloudless blue sky.

People watching: Self-care

Christy Wang
  •  
Oct. 27, 2022
The Grind
Green library

Observer: A happy ending

Benjamin Midler
  •  
Oct. 26, 2022
The Grind
A formless figure lays in bed, undefinable beside its feet. Sunlight peeks in through a window.

A culture of community accountability

Laney Conger
  •  
Oct. 25, 2022
The Grind
A landscape of a winter pond and trees in the back

Essays on Essays: Finding your favorite spot at Stanford

Sam Waddoups
  •  
Oct. 24, 2022
The Grind
A vehicle-trampled path extends through a snowy forest.

‘The Mirror’: Out of the woods

Eric Liu
  •  
Oct. 23, 2022
The Grind
A landscape at midnight with a sound bar overlay and the phrase "Meet me at midnight."

Everything you need to throw the perfect ‘Midnights’ release party

Isabella Saracco and Sam Waddoups
  •  
Oct. 20, 2022
The Grind
An actor in a yellow coat and hat stares at the screen, pretending to spray something into his mouth. In the background, three haggard-looking actors huddle beneath a tree. A sign on the tree reads: "PRETEND THERE ARE NO LEAVES." Another sign below it reads: "A COUNTRY ROAD, A TREE, EVENING."

An invitation to reconsider: The role of the director

Yonatan Laderman
  •  
Oct. 19, 2022
The Stanford Daily

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