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Visual Arts

Photo courtesy of the Metropolitan Museum of Art.

Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art

Mac Taylor
  •  
Oct. 29, 2017
Artist Nina Katchadourian. (Courtesy of the Metropolitan Museum of Art)

Nina Katchadourian drops a sick beat and sicker dial tone

Julia Gordon
  •  
Oct. 26, 2017
A representation of a woman thought to be Sappho, an archaic Greek poet from the island of Lesbos. (Courtesy of A&E Television Networks)

On sustained silences in Sappho and abstract expressionism

Shana E. Hadi
  •  
Oct. 24, 2017
A still from Porpentine's "With Those We Love Alive." (Courtesy of the Whitney Museum of American Art)

Word, wound, world: Innovations in storytelling in ‘With Those We Love Alive’

Ashley Huang
  •  
Oct. 22, 2017
Individuals perform at a previous Rooted Words performance. (Courtesy of Stanford Earth Sciences)

Under smoky skies, community members share ‘Rooted Words’ on the Farm

Claire Thompson
  •  
Oct. 18, 2017
'Coast Sentinels' by Pedro de Lemos is on display at the Cantor Arts Center (Courtesy of Pedro de Lemos)

‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity

Julia Gordon
  •  
Oct. 18, 2017
Hope Gangloff works on a portrait (Courtesy of Vogue).

Hope Gangloff’s portraits fuse intimacy and fine art

Shannen Torres
  •  
Oct. 17, 2017
Spencer Finch's "Betelgeuse" is currently on display at the Cantor Art Museum (Courtesy of Spencer Finch).

Spencer Finch’s ‘Betelgeuse’ inspires childlike awe

Angelica Jopling
  •  
Oct. 16, 2017
"Hansel & Gretel" at the Park Avenue Armory in New York City. Image courtesy of Ai Weiwei's Instagram.

Colliding indoors: Ai Weiwei’s ‘Hansel & Gretel’ at NYC’s Park Avenue Armory

Mac Taylor
  •  
Aug. 28, 2017
Georgia O'Keeffe's 'Black Mesa Landscape, New Mexico' at the Art Gallery of Ontario (Courtesy of the Art Gallery of Ontario).

More than just flowers: Georgia O’Keeffe at the Art Gallery of Ontario

Olivia Popp
  •  
July 30, 2017
Stuart Davis' 'The Mellow Pad' at the de Young.

Cold jazz: Stuart Davis is ‘In Full Swing’ at the de Young

Carlos Valladares
  •  
April 26, 2017
Elaine Mayes, "Couple with Child, Golden Gate Park, San Francisco," 1968. Gelatin silver print. Courtesy of Joseph Bellows Gallery. Courtesy of the Fine Arts Museums of San Francisco.

At the de Young: Danny Lyon’s ‘Message to the Future’ and ‘The Summer of Love’

Carlos Valladares
  •  
April 26, 2017
Photo: UDIT GOYAL/The Stanford Daily.

Alexander Nemerov: Stanford’s art history preacher

Carlos Valladares
  •  
April 7, 2017
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Students de-stress at the Anderson Collection

Nicole Aw
  •  
March 20, 2017
Andy Warhol, Detail from Contact Sheet [Arnold Schwarzenegger and Maria Shriver’s wedding with Kennedys, Grace Jones], 1986. Gelatin silver print.

At the Cantor: ‘Warhol Unframed’ dismantles pop image of pop legend

Eva Hong
  •  
March 5, 2017
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Video: Anderson Collection visitors make their own “soundsuits”

Angela Luo
  •  
Dec. 12, 2016
Courtesy Cantor Arts Center. Kate Mendillo pick (for 105 Russell) Huang Binhong (China, 1864–1955), Mountain Landscape, c. 1953. Ink and color on paper. Gift of Dr. Shirley Sun (A.B., 1964; A.M., 1969; Ph.D, 1974), 1994.113

‘Object Lessons’: A crash course in modern Chinese brush painting

Eric Huang
  •  
Nov. 29, 2016
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Exhibit: Bruce Conner’s ‘It’s All True’ is destructive, brilliant and everything in between

Starr Jiang
  •  
Nov. 11, 2016
Dashiell Manley (U.S.A., b. 1983), The New York Times, Monday October 6 2014, national edition Southern California (front page), 2014. Watercolor pencil on canvas. Courtesy of Private Collection, San Francisco. Photograph courtesy of the artist and Jessica Silverman Gallery.

‘New to the Cantor’ packs a visual punch

Eric Huang
  •  
Oct. 24, 2016
Gary Trudeau (U.S.A., b. 1948), Doonesbury, 1988. Blue pencil, pen and ink, white gouache, pasteover, and applied halftone film. Gift of Cherie and Ron Petersen, 1998.343. DOONESBURY © G. B. Trudeau. Reprinted by permission of UNIVERSAL UCLICK for UFS. All rights reserved

Cantor Arts Center gears up for the fall

Eric Huang
  •  
Oct. 7, 2016
The Stanford Daily

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