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Spotlight
Mitski doesn’t need much time to devastate you
Jacob Kuppermann
•
Sept. 23, 2018
Exploring the trials of history at the Autry Museum of the American West
Olivia Popp
•
Sept. 20, 2018
The Groundlings’ ‘Cooking With Gas’ is a fresh take on LA comedy
Olivia Popp
•
Sept. 20, 2018
LACMA’s current exhibitions provide a diversity of holistically curated work
Olivia Popp
•
Aug. 23, 2018
Video: WonderCon Anaheim 2018 interviews with award-winning composers, designers and actors
Olivia Popp
•
Aug. 19, 2018
Olivia Popp’s summer theatrical flick picks
Olivia Popp
•
Aug. 14, 2018
The Museum of Tolerance offers visitors a transformative historical journey
Olivia Popp
•
Aug. 3, 2018
On Easy Street with the Hollywood Bowl production of ‘Annie’
Olivia Popp
•
Aug. 2, 2018
‘Hecuba/Helen’ is mesmerizing but lacking impact
Minh-Anh Day
•
July 30, 2018
‘Three Days in the Country’: Love in the time of 19th century Russian class differences
Olivia Popp
•
July 30, 2018
‘Mutt House’ needs to be immediately placed into a doggy bag and dumped into a trash compactor
Olivia Popp
•
July 27, 2018
You’ll start to believe in real magic with Arthur Trace: The Artful Deceiver
Olivia Popp
•
July 24, 2018
The Petersen Automotive Museum will fuel your love for vehicles and fashionable technology
Olivia Popp
•
July 20, 2018
‘Straight White Men’ delivers humor, discomfort and surprising compassion
Starr Jiang
•
July 20, 2018
Magic Monday LA brings a fresh form of entertainment to center stage
Olivia Popp
•
July 20, 2018
‘Won’t You Be My Neighbor?’ revives good old-fashioned love and wholesomeness
Olivia Popp
•
July 11, 2018
Ghosts of CHAN
Olivia Popp
•
July 3, 2018
Exploring Ben and Jerry’s ice cream
Blake Sharp
•
July 2, 2018
‘Two Mile Hollow’ is a delightfully vicious reversal of classically white theater
Caro Asercion
•
July 1, 2018
[final cf] Austrian filmmaker Nikolaus Geyrhalter creates engaging, experimental documentaries
Maxwell Menzies
•
June 29, 2018
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