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Spotlight
This weekend at the Stanford: ‘My Fair Lady,’ ‘East of Eden’
Carlos Valladares
•
Sept. 18, 2017
Colliding indoors: Ai Weiwei’s ‘Hansel & Gretel’ at NYC’s Park Avenue Armory
Mac Taylor
•
Aug. 28, 2017
Opening doors for arts careers: Stanford’s Summer Internship Program in Arts Administration
ZaZu Lippert
•
Aug. 27, 2017
OSF pt. 2: ‘Disney’s Beauty and the Beast’ is an enchanting classic
Olivia Popp
•
Aug. 14, 2017
OSF pt. 1: Shaking up Shakespeare with ‘Henry IV, Part 1’ and ‘Julius Caesar’
Olivia Popp
•
Aug. 10, 2017
‘The Good Place’ brings representation and genius-level comedy to the small screen
Olivia Popp
•
Aug. 4, 2017
More than just flowers: Georgia O’Keeffe at the Art Gallery of Ontario
Olivia Popp
•
July 30, 2017
Season five of ‘Orange is the New Black’ is a messy yet beautiful riot
Olivia Popp
•
July 27, 2017
Issa Rae’s acclaimed series ‘Insecure’ is back for season two, and it’s ‘hella great’
Olivia Popp
•
July 21, 2017
Pop thrills: Edgar Wright’s ‘Baby Driver’ is a smart, sexy musical for the age of Spotify
Carlos Valladares
•
June 28, 2017
Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed
Olivia Popp
•
June 9, 2017
Revisiting Joey Bada$$’s ‘All Amerikkkan Bada$$’
Esther Tsvayg
•
June 7, 2017
Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty
Alessandro R.L. Hall
•
June 6, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
•
June 4, 2017
An American bard in Britain: Bob Dylan in concert
Nick Burns
•
June 3, 2017
‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience
Elizabeth Gerson
•
June 2, 2017
‘Wakefield’ could be more woke
Amir Abou-Jaoude
•
June 1, 2017
Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’
Olivia Popp
•
May 30, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
•
May 26, 2017
An evening with Daveed Diggs at Dinkelspiel
Carlos Valladares
•
May 25, 2017
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