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A Lover Girl’s Guide: A lonely but great romance
Hana Dao
•
Oct. 23, 2023
Screen
‘Good’ girlhood: ‘Aftersun’ and the pain of turning girlhood memories into adult wisdom
Blyss Cleveland
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Oct. 16, 2023
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‘No One Will Save You’ explores the terror of your 20s in a mildly scary alien flick
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Oct. 12, 2023
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‘Bottoms’: The perfect teenage-lesbian-fight-club fever dream
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Oct. 5, 2023
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Q&A: Michael Lee ’95 recounts ‘XO, Kitty’ and Broadway
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Oct. 3, 2023
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“Succession” closes with a dramatic downfall
Aslıhan Alp
•
Sept. 29, 2023
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Movie night at The Daily: What to watch this AAPI Heritage Month
Carolyn Stein
,
Hana Dao
,
Kristofer Nino
,
Blyss Cleveland
and
Anthony Martinez Rosales
•
May 31, 2023
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American teenage rom-com meets Korean drama in Netflix’s ‘XO, Kitty’
Shayna Freedman
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May 31, 2023
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‘The Super Mario Bros. Movie’ is bleakly honest with audiences
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20/20 Vision: Legacy of ‘Wings’ (1927) as the first Best Picture
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May 25, 2023
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Q&A: Jess Lee ‘23 on Storyboard Club’s role in the entertainment arts community
Ximena Sanchez Martinez
•
May 21, 2023
Screen
Problematic plot holes and true love’s power: ‘Queen Charlotte: A Bridgerton Story’ in review
Shreya Komar
•
May 18, 2023
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Flying Horse Films hosts spring screening of creative student films
Hana Dao
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May 7, 2023
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‘America’s Gift to Famine-Stricken Russia’ as a propagandist display of U.S. relief efforts
Linda Liu
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May 3, 2023
Screen
20/20 Vision: How racism undermines the technical achievement of ‘The Jazz Singer’ (1927)
Anthony Martinez Rosales
•
April 27, 2023
Screen
‘Rye Lane’ looks at love from both sides
Blyss Cleveland
•
April 25, 2023
Screen
‘Squid Game’ actor Byung Hun Lee talks about the future of Korean pop culture
Hana Dao
•
April 23, 2023
Screen
The One: ‘Breakfast at Tiffany’s’ is a problematic classic
Lauren Koong
•
April 20, 2023
Screen
20/20 Vision: Short and sweet storytelling in ‘Sherlock Jr.’ (1924)
Anthony Martinez Rosales
•
April 18, 2023
Screen
HBO’s ‘The Last Of Us’: Finally breaking the video game to live-action curse?
Shayna Freedman
•
April 6, 2023
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