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Camille Monet On Her Deathbed, 1879
Carolyn Stein
•
April 1, 2021
Arts & Life
‘Firmament No. 1’: A promising new literary magazine from Sublunary Editions
Lily Nilipour
•
March 29, 2021
Books for Women’s History Month
Jared Klegar
,
Lana Tleimat
,
Lily Nilipour
,
Kyla Figueroa
and
Kirsten Mettler
•
March 16, 2021
On her debut novel ‘All Girls’: Interview with Emily Layden ’11
Ellie Wong
•
March 15, 2021
Emily Layden’s ‘All Girls’ tackles growing up, sexual assault and privilege
Kyla Figueroa
•
March 14, 2021
Classics for quarantine: Reading in Michel de Montaigne’s ‘Essays’
Lily Nilipour
•
March 10, 2021
‘In Conversation with the Inaugural Poem’ looks toward the future of the US while reflecting on its past
Anuka Mohanpuhr
•
March 7, 2021
Classics for quarantine: Immobility in ‘Molloy’
Lily Nilipour
•
March 3, 2021
An intimate Stegner Fellows reading with Jim Whiteside and F.T. Kola
Ellie Wong
•
March 1, 2021
Sara Davis’ ‘The Scapegoat’: A Lynchian mystery set at Stanford
Carly Taylor
•
Feb. 25, 2021
Classics for quarantine: Duration in ‘Love in the Time of Cholera’
Lily Nilipour
•
Feb. 24, 2021
History, family and paint colors in Stegner Fellow Claire Meuschke’s ‘Upend’
Jaehyeon Park
•
Feb. 23, 2021
Recommended reads for Black History Month
Carly Taylor
,
Kyla Figueroa
,
Lily Nilipour
,
Kirsten Mettler
,
Richard Coca
and
Valerie Trapp
•
Feb. 23, 2021
Longing and obsession in R.O. Kwon’s ‘The Incendiaries’
Lily Zhou
•
Feb. 22, 2021
Classics for quarantine: Time in ‘The Sound and the Fury’
Lily Nilipour
•
Feb. 17, 2021
‘Be shameless:’ Logic Magazine editors talk tech, small magazine publishing
Lily Nilipour
•
Feb. 9, 2021
Identity, absurdity and loneliness in ‘Temporary’
Cindy Xin
•
Feb. 8, 2021
Rewriting time in ‘Do Not Say We Have Nothing’
Lily Zhou
•
Feb. 7, 2021
Debunking medical myths with Dr. Seema Yasmin
Kristel Tjandra
•
Feb. 3, 2021
Arts & Life
Elizabeth Tallent meditates on perfectionism in “Scratched”
Richard Coca
•
Feb. 2, 2021
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