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Reads
The humanity of Ted Chiang’s ‘Exhalation’
Shana E. Hadi
•
Nov. 6, 2017
Horror literature picks for November
Arts & Life Reads beat writers
•
Nov. 3, 2017
Body cult: Mishima and Murakami on writing and the body
Didi Chang-Park
•
Nov. 1, 2017
The relatable brilliance of ‘My Brilliant Friend’
Anna-Sofia Lesiv
•
Nov. 1, 2017
‘The Vietnam War’ revisited: Books to counteract historical narratives
Ben Maldonado
•
Oct. 30, 2017
Finding Sappho: Four translations in conversation
Emma Grover
•
Oct. 29, 2017
Blazing in ‘Airless Spaces’
Ben Maldonado
•
Oct. 26, 2017
SparkNoting the irreducible: Nabokov in translation
Emma Heath
•
Oct. 25, 2017
On the inner life and the imagination of everyday communication
Maddie Kim
•
Oct. 24, 2017
On sustained silences in Sappho and abstract expressionism
Shana E. Hadi
•
Oct. 24, 2017
[MAGAZINE] Exploring Stanford through history with Tom DeMund’s ‘Walking the Farm’ [copy ep]
Julie Cross
•
Oct. 23, 2017
Word, wound, world: Innovations in storytelling in ‘With Those We Love Alive’
Ashley Huang
•
Oct. 22, 2017
It’s all aliebn to me
Alli Cruz
•
Oct. 21, 2017
Finding an unexpected home in ‘Frankenstein’
Emma Heath
•
Oct. 21, 2017
Finding the third voice in T.S. Eliot’s ‘The Waste Land’
Didi Chang-Park
•
Oct. 19, 2017
Down the rabbit hole of Nina Katchadourian’s ‘Curiouser’
Zecheng Wang
•
Oct. 19, 2017
Under smoky skies, community members share ‘Rooted Words’ on the Farm
Claire Thompson
•
Oct. 18, 2017
‘Rome’ hints at the realms of human monstrosity
Sun Paik
•
Oct. 18, 2017
Cracking open Andy Weir’s ‘The Egg’
Shana E. Hadi
•
Oct. 17, 2017
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