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Puppet master: ‘Wonderful Joe’ dives into a queer downtown scene of marionettes
Lydia Wei
•
May 8
Reads
The beautiful and the terrible: Carmen Maria Machado reads queer horror and sci-fi
Cate Burtner
•
May 8
Culture
AI at the ballet: ‘Mere Mortals’ dares to hope
Dakota Gelman
•
May 8
Culture
‘Book of Mountains and Seas’ transforms myths into modern commentary
Esther Ji
•
May 7
Music
Beats bring sunshine at a rainy Blackfest
Joanne dePierre
•
May 7
Culture
Playing in the sand: Digging deep in ‘Box of Sand’
Bhumikorn Kongtaveelert
•
May 7
Culture
Q&A: Zarna Garg gives comedic voice to Indian American mothers
Esther Ji
•
May 3
Music
Berhana enchants San Francisco with genre-bending grooves
Cameron Duran
•
May 2
Music
A look behind the Frost Fest stage
Charlotte Burks
•
May 2
Culture
Cardinal Canvas: ‘Stellar Axis’ makes its way from the Antarctic to the Anderson
Adam Golomb
•
May 2
Screen
Stanford underwear and tech bros: FLiCKS screens ‘The Social Network’
Emma Kexin Wang
•
May 1
Music
Beandon’s Musical Corner: ‘Only God Was Above Us’ by Vampire Weekend
Brandon Rupp
•
May 1
Reads
‘The Husband Stitch’ retells urban legends with a feminist slant
Cate Burtner
•
April 30
Screen
‘Challengers’ tries to make Stanford sexy again
Blyss Cleveland
•
April 30
Culture
From Chassé to Sashay: A swing through Stanford’s dance minor
Dakota Gelman
•
April 30
Reads
World of Words: ‘Innards’ dissects our discomfort with the past
Breanna Burke
•
April 29
Music
Kapilow and Schumann jazz up ‘Rhapsody in Blue’
Erin Ye
•
April 29
Reads
Bookworm bulletin: Spring book recommendations
Leyla Yilmaz
,
Cate Burtner
,
Miriam Awan
,
Dan Kubota
,
Blyss Cleveland
and
Grace Zhao
•
April 26
Culture
Cardinal Canvas: Exploring the stunning final chapter of ‘Day Jobs’
Adam Golomb
•
April 26
Culture
‘SpongeBob’ soaks up silliness
Cameron Duran
•
April 24
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