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Arts & Life
Music
‘Sirocco’ earns standing ovation with lively cross-cultural music
Eric Wang
  •  
April 18
Music
Outside the ‘SoundBox’: Student-created instrument features at SF Symphony
Kelly Wang
  •  
April 16
Reads
Stanford TBR: ‘Ripe’ delivers a visceral Silicon Valley satire
Cate Burtner
  •  
April 16
Culture
Students spring into ‘rush’
Adam Golomb
  •  
April 15
Screen
Milk, mayhem and murder: FLiCKS returns with ‘sensational’ ‘Saltburn’ screening
Cameron Duran
  •  
April 15
Music
Philharmonia Baroque Orchestra reconstructs the classics
Eric Wang
  •  
April 15
Culture
Cardinal Canvas: ‘Day Jobs’ pays working artists their dues
Adam Golomb
  •  
April 12
Music
‘Medicine & the Muse’ breathes life into Bing
Grace Zhao
  •  
April 12
Screen
Dev Patel’s ‘Monkey Man’ packs a refreshing punch
Emma Kexin Wang
  •  
April 10
Reads
World of Words: ‘Breath, Eyes, Memory’ is a reckoning
Breanna Burke
  •  
April 10
Music
Battle of the Bands springs electrifying performances
Srithanya Satish
  •  
April 10
Screen
‘Good’ Girlhood: Down but not out in the ‘Slums of Beverly Hills’
Blyss Cleveland
  •  
April 8
Culture
‘This is Not Here’ exhibits the trickster archives of Fluxus
Alexandra Blum
  •  
April 8
Screen
‘Problemista’ weaves witty realism and sparkling fantasy
Cameron Duran
  •  
April 4
Reads
Stanford TBR: Yaa Gyasi’s ‘Transcendent Kingdom’ reads like a gift
Cate Burtner
  •  
April 2
Screen
Ghib it a Try: Memories and redemption in “When Marnie was There”
Emma Kexin Wang
  •  
March 31
Culture
‘The Wolves’ lets each character score their own goal
Hailey Ramzan
  •  
March 15
Culture
‘Yakuman Chance’: Girl talk at its finest
Dan Kubota
  •  
March 14
Screen
‘Good’ Girlhood: ‘Drylongso’ views Black boys through a Black girl’s lens
Blyss Cleveland
  •  
March 13
Screen
Delicate Sensibilities: ‘Bodies Bodies Bodies’ is remarkably Gen-Z fluent
Julia Donlon
  •  
March 13
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