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Beandon’s Musical Corner: The Dismemberment Plan’s Travis Morrison on Chappell Roan, Sci-Fi and the Internet
Brandon Rupp
•
Oct. 29
Music
Made a mixtape, hope you like it: Elliott Smith
Amanda Altarejos
•
Oct. 29
Screen
Her POV: ‘Woman of the Hour’ frames skepticism as a silent killer of women
Blyss Cleveland
•
Oct. 29
Screen
‘Hillbilly Elegy’ dissects J.D. Vance’s tenacity
Scarlett Gamble
•
Oct. 29
Culture
Student initiative Street Meat’s five-course meal signals a business evolution
Adam Golomb
•
Oct. 29
Reads
The viral book ‘A Little Life’ handles little with care
Cate Burtner
•
Oct. 28
Culture
‘Picture Perfect Chemistry’ illuminates the science behind photography
Weili Jin
•
Oct. 28
Music
Remi Wolf’s homecoming show at Frost finishes ‘Big Ideas’ tour with a bang
Ananya Navale
•
Oct. 28
Reads
Mohr Visiting Poet L. Lamar Wilson spotlights histories and vulnerability
Raylene Zamora
•
Oct. 28
Screen
‘Civil War’ warns us against defying democracy
Ellaheh Gohari
•
Oct. 27
Culture
A drink for your vote: StanfordVotes partners with On Call Cafe
Derrick Chen
•
Oct. 27
Culture
Chronically Online: Stanford students navigate the LinkedIn labyrinth
Chloe Shannon Wong
•
Oct. 27
Culture
Looking and Feeling: Clarity in Mehretu’s atlas of chaos
Weili Jin
•
Oct. 24
Culture
Green Library exhibit emphasizes the importance of transparency in the digital age
Charlotte Burks
•
Oct. 24
Music
Charli XCX’s ‘Brat’ remix is a completely new return to form
Blyss Cleveland
•
Oct. 24
Screen
‘Last Week Tonight’ finds federal courts guilty of right-wing extremism
Sebastian Strawser
•
Oct. 24
Music
Discover Biweekly: Girl Ultra
Helena Getahun-Hawkins
•
Oct. 23
Screen
‘English Teacher’ highlights the human beyond the classroom
Cate Burtner
•
Oct. 23
Music
“12 Notes” from Alec Benjamin studies the musical art of sincerity
Ananya Navale
•
Oct. 23
Culture
‘Hidden Strawberries’ elevates eco-theater to new heights
Zora Hudson
•
Oct. 22
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