Friday, November 22nd, 2024
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Arts & Life

Screen
Graphic of TV screen with a man in a red robe. Sitting in front of TV is a person with grey hair and an orange cat on their chair.

Delicate Sensibilities: Saltburn is disgracefully fun

Julia Donlon
  •  
Feb. 19
Screen
A table with monitors, displaying Super Smash Bros. title. and members of the group playing titular game

Stanford’s ‘Smash Bros’ find community in combat 

Mark Allen Cu
  •  
Feb. 19
Culture
An image of a red velvet milkshake on a countertop from The Axe and Palm (TAP).

Do Valentine’s Day dessert specials deserve the love?

Sebastian Strawser
  •  
Feb. 16
Screen
Three silhouettes of women stand in front of a pink backdrop with the text "'good' girlhood" written on it.

‘Good’ girlhood: ‘Girlhood’ balances tenderness and violence

Blyss Cleveland
  •  
Feb. 16
Culture
A white man plays a piano in a small venue as people stand around him. The room is dim and lit with red lights.

NYC piano bar brings Broadway to Bing

Lydia Wei
  •  
Feb. 15
Reads
Graphic of a red heart with ribbons across it and a book on top. The book has pages open, with a heart drawing on the right page. The background is pink and adorned with stars.

Turning the page on love

Sava Tamanaha
  •  
Feb. 15
Culture
A cozy outdoor dining parklet.

Palo Alto extends outdoor dining until July 2026

Sophie Nguyen
  •  
Feb. 14
Culture
Photo of a boba tea storefront, with red walls and brown carts in the front.

Is Stanford’s on-campus boba worth it?

Judy N. Liu
  •  
Feb. 13
Music
A broken, red heart listening to music through headphones, looking dejected in from of a background of ripped paper.

In ‘treble’ with love: Anti-Valentine’s Day songs 

Ribka Desta, Hana Dao, Charlotte Kearns, Erin Ye, Dan Kubota, Emma Kexin Wang, Blyss Cleveland and Sarayu Pai
  •  
Feb. 13
Music
A happy, pink cartoon heart listening to romantic music through earbuds and holding a phone in from of a light blue background.

Tuned in to love: Best Valentine’s Day tracks

Cate Burtner, Hana Dao, Ribka Desta, Dan Kubota, Charlotte Kearns, Emma Kexin Wang, Amistad Vanegas, Erin Ye, Anthony Martinez Rosales and Sarayu Pai
  •  
Feb. 13
Culture
A young woman onstage holds a candle, looking into the distance. Behind her are 'missing' posters and another young woman holding a candle.

‘Let my word take action’: Transformative feminist narratives at TAPS

Charlotte Kearns
  •  
Feb. 13
Screen
Four people standing in front of a purple background and a temple with title "a lover girl's guide: when opposites meet"

A Lover Girl’s Guide: When opposites meet

Hana Dao
  •  
Feb. 13
Screen
Picture of Charlotte Koh in front of purple and blue background with stars. Text on the left corner reads: "Lights, Cardinals, Action"

Lights, Cardinals, Action: Lionsgate VP Charlotte Koh ’95 on overcoming fear

Grace Zhou
  •  
Feb. 12
Screen
A graphic of a man riding a horse. The text in the foreground says "Talk Horror to Me" and "Nope."

Talk Horror to Me: Documenting trauma in ‘Nope’ (2022)

Emma Kexin Wang
  •  
Feb. 12
Culture
a white-walled art gallery with large, brightly colored paintings

‘Shifting Fields’: A colorful escape through Chinese painting

Cate Burtner
  •  
Feb. 8
Culture
Students walk around a wide-open, white art gallery

Student art flourishes at ‘Good Mother Studio’ pop-up

Miriam Awan
  •  
Feb. 7
Arts & Life
Loose canon is written in bright green on a crumpled piece of black paper

Shelves for contemporary readers: Recycle Bookstore

Ellen Yang
  •  
Feb. 6
Culture
A white woman sits on the floor, distressed, as a white man sits in a chair looking at her. The set resembles a modern therapist's office

Falling out of love in ‘Juliet and Romeo’

Lydia Wei
  •  
Feb. 5
Screen
Drawing of a woman in traditional clothing and a temple with title "a lover girl's guide: historically speaking"

A Lover Girl’s Guide: Historically Speaking

Hana Dao
  •  
Feb. 5
Culture
An animated, futuristic head is projected onto a screen in front of a crowd

‘Now is the Moment’: Enrique Martínez Celaya urges students to create

Maria Chica
  •  
Feb. 5
The Stanford Daily

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