Thursday, November 14th, 2024

On Campus

Under smoky skies, community members share ‘Rooted Words’ on the Farm

Claire Thompson

•

Oct. 18, 2017

‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity

•

Oct. 18, 2017

Hope Gangloff’s portraits fuse intimacy and fine art

•

Oct. 17, 2017

Spencer Finch’s ‘Betelgeuse’ inspires childlike awe

Angelica Jopling

•

Oct. 16, 2017

100 films to watch at Stanford

Carlos Valladares

•

Oct. 11, 2017

Jazz is hard and life is easy with Mads Tolling & The Mads Men: ‘Playing the 60s’

•

Oct. 11, 2017

Opening doors for arts careers: Stanford’s Summer Internship Program in Arts Administration

•

Aug. 27, 2017

Rio, Bravo! Anat Cohen & Choro Aventuroso at Stanford Jazz

•

July 28, 2017

Reflections on funk and punk

•

June 8, 2017

Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty

Alessandro R.L. Hall

•

June 6, 2017

Does ‘Disrupt!’ disrupt? A few thoughts on Ram’s Head’s original musical

Madelaine Bixler

•

June 5, 2017

‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience

Elizabeth Gerson

•

June 2, 2017

Q&A: Daveed Diggs muses on fame, the accessibility of theater

Olivia Popp and Carlos Valladares

•

May 26, 2017

‘No Hero’ at Roble Gym is ‘a multimedia masterwork’

•

May 25, 2017

An evening with Daveed Diggs at Dinkelspiel

Carlos Valladares

•

May 25, 2017

Zedd dazzles Stanford at Frost

•

May 24, 2017

Caleb Nott of Broods on movements that make you move

•

May 19, 2017

BLACKstage’s ‘Ragtime’ reverberates with hope and strife

•

May 14, 2017

Linda Uyechi and Steve Sano discuss Taiko at Stanford and around the world

•

May 7, 2017

‘Saint Joan of the Stockyards’ gives power to the people

Alessandro R.L. Hall

•

May 5, 2017