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On Campus
‘Myth, Allegory and Faith’: The body as narrative
Eric Huang
•
Feb. 19, 2016
Theater review: ‘White Power: A Comedy’ hits home
Madelaine Bixler
•
Feb. 18, 2016
‘The Vagina Monologues’
Olivia Witting
•
Feb. 16, 2016
On ‘Shirley,’ an old soul says goodbye
Benjamin Sorensen
•
Feb. 16, 2016
Theater review: ‘The House on Mango Street’ explores the Chicano experience
Madeline MacLeod
•
Feb. 12, 2016
Nufonia Must Fall comes to life at Bing
Benjamin Sorensen
•
Feb. 7, 2016
Student creates stunning art from music, images
Tess Michaelson
•
Feb. 4, 2016
Taiko ensemble Yamato delivers a powerful performance
Serena Wong
•
Feb. 1, 2016
AATP presents polished ‘Into the Woods’
Olivia Witting
•
Jan. 27, 2016
Stanford Theater Lab presents provocative interpretation of ‘Macbeth’
Grace Yoo
•
Jan. 27, 2016
T∆PE GHØST’s explorations of sound as eternity
Benjamin Sorensen
•
Jan. 25, 2016
Complex roots: Rooney Pitchford’s debut “Familiar Places”
Tyler Dunston
•
Jan. 24, 2016
Arswain Finds a New Voice in “Spokesmachine”
Clare Flanagan
•
Jan. 21, 2016
‘Wanting More’: Reflecting on consumer culture
Eric Huang
•
Jan. 15, 2016
Sarah Reich: Tapping in for a terrific time
Serena Wong
•
Jan. 13, 2016
Top five upcoming on-campus exhibits
Eric Huang
•
Jan. 13, 2016
Who is Eli Arbor? Ten revelations from ‘IDols’
Jacob Nierenberg
•
Jan. 13, 2016
‘IDols’ and identity: Eli Arbor’s stunning debut
Benjamin Sorensen
•
Jan. 13, 2016
Top 5 Stanford Theater Productions of 2015
Arts & Life Theater Beat writers
•
Jan. 10, 2016
‘Missing Persons’: On absence and presence
Jennifer Adams
•
Dec. 16, 2015
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