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On Campus

World-class pianist Murray Perahia charms Bing

Serena Wong
  •  
April 19, 2016

Crew profiles: The brains behind Ram’s Head’s ‘Rent’

Bella Wilcox
  •  
April 10, 2016

NTUE Orchestra closes the distance between East and West at Dink

Serena Wong
  •  
April 10, 2016

The legacy of ‘Rent’: Performing Larson’s musical on the Farm

Madelaine Bixler
  •  
April 8, 2016

‘Rent’ takes technical theater to new heights

Madeline MacLeod
  •  
April 8, 2016

‘Figuration/Abstraction’ features Cantor’s best

Eric Huang
  •  
April 8, 2016

Theater review: ‘Rent’ reminds us to live for the moment

Madelaine Bixler
  •  
April 7, 2016

Real People Music dazzles at Sprung

Tyler Dunston
  •  
April 4, 2016

Your weekend plans: The White Panda at Sprung

Serena Wong
  •  
April 2, 2016

Ready for Fetty: A preview of this year’s Frost headliner, Fetty Wap

Benjamin Sorensen
  •  
March 28, 2016

En route to Monterey, Stanford’s jazz’s next generation stops at CoHo

Benjamin Sorensen
  •  
March 24, 2016

Theater review: “Oh, What a Lovely War!” delivers an academically-envisioned but slapdash performance

Olivia Witting
  •  
March 9, 2016

Theater review: ‘Candide’ brilliantly inverts the Stanford success narrative

Madelaine Bixler
  •  
March 7, 2016

‘Showing Off’: Exploring East Asian threads

Eric Huang
  •  
March 3, 2016

Jazz night at CoHo puts spotlight on student combos

Benjamin Sorensen
  •  
March 2, 2016

Theater review: Outdated ‘Trouble in Tahiti’ fails to inspire

Madelaine Bixler
  •  
Feb. 26, 2016

Theater review: ‘The Telling Project’ adds much-needed nuance to the veteran narrative

Madelaine Bixler
  •  
Feb. 25, 2016

Theater review: ‘Antony & Cleopatra’ is a knockout StanShakes performance

Madeline MacLeod
  •  
Feb. 25, 2016

Black Love: An audience in action

Joshua Seawell
  •  
Feb. 22, 2016

Theater review: ‘The Vagina Monologues’ stands united and strong

Olivia Witting
  •  
Feb. 19, 2016
The Stanford Daily

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