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On Campus
Familiar Faces: Getting to know Rooney Pitchford ’15
Benjamin Sorensen
•
Jan. 30, 2017
At the Stanford: Two rare Lubitsch silents
Carlos Valladares
•
Jan. 19, 2017
Theater review: The Original Winter One Acts bring psychological depth to student theater
Elizabeth Gerson
•
Jan. 19, 2017
Stanford Theatre schedule, Jan. 17-22
Carlos Valladares
•
Jan. 17, 2017
This Weekend: ‘Casablanca,’ ‘To Be Or Not To Be’ at the Stanford
Carlos Valladares
•
Jan. 11, 2017
Theater review: Life ain’t a cabaret for At The Fountain’s ‘Oh Say, Can You Sing?’
Alejandra Aguilar
•
Dec. 6, 2016
‘Object Lessons’: A crash course in modern Chinese brush painting
Eric Huang
•
Nov. 29, 2016
Arts & Life
Stanford Women* in Theater’s “Merchant of Venice” shakes Shakespeare up
Olivia Witting
•
Nov. 23, 2016
Stanford Philharmonia provides engaging glimpse into musical worlds
Ben Maldonado
•
Nov. 22, 2016
AATP’s “Durango” details family breakdown with honesty and hope
Elizabeth Gerson
•
Nov. 18, 2016
Theater review: Great timing for ‘Gaieties of Future Past’
Alli Cruz
•
Nov. 16, 2016
Album Review: faruhdey’s ‘SO(u)L’ is a family affair
Jacob Nierenberg
•
Nov. 14, 2016
Electrifying “In Volution” at the Nitery carries an extra sting, post-Election
Elizabeth Gerson
•
Nov. 11, 2016
‘SO(u)L’ Power: 10 things to know about faruhdey’s debut album
Jacob Nierenberg
•
Nov. 11, 2016
St. Lawrence String Quartet baffles and delights at Bing
Ben Maldonado
•
Nov. 2, 2016
Theater review: TAPS’ ‘Spring Awakening’ is an inaugural production to be remembered
Olivia Witting
•
Oct. 30, 2016
David Byrne and Mala Gaonkar talk experiential learning and art at McMurtry
Jacob Kuppermann
•
Oct. 26, 2016
‘New to the Cantor’ packs a visual punch
Eric Huang
•
Oct. 24, 2016
A-lan Holt talks “Art Practice as Spiritual Practice”
Olivia Witting
•
Oct. 20, 2016
Production of The Every 28 Hours Plays: A Staged Reading provides penetrating insight into the Black Lives Matter movement
Courtney Gao
•
Oct. 17, 2016
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