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Film

(Clockwise from left) Alva Rogers, Barbara-O, and Trula Hoosier in the restored version of Julie Dash's 'Daughters of the Dust,' to be re-released in December in theatres across America. Courtesy of Cohen Film Collection.

‘Daughters of the Dust’ director Julie Dash talks filmmaking, shaping the Black female image

Carlos Valladares
  •  
Nov. 20, 2016
Still from 'Tampopo.' Courtesy of Janus Films.

80s Japanese foodie film ‘Tampopo’ serves up a Ramen Western

Amir Abou-Jaoude
  •  
Nov. 20, 2016
Isabelle Huppert stars in "Elle", a film by Paul Verhoeven. (Photo: Guy Ferrandis, SBS Productions and Sony Picture Classics).

Film review: The woke political commitment of Paul Verhoeven’s ‘Elle’

Carlos Valladares
  •  
Nov. 17, 2016
Hailee Steinfeld and Hayden Szeto in Kelly Fremon Craig's "The Edge of Seventeen." Courtesy of STX Productions.

Film review: ‘Edge of Seventeen’ nails the awful teen years

Olivia Popp
  •  
Nov. 17, 2016
Arts & Life
Eddie Redmayne in "Fantastic Beasts and Where to Find Them." (Courtesy of Warner Bros. Pictures)

‘Harry Potter’ spin-off ‘Fantastic Beasts’ delights and frightens

Olivia Popp
  •  
Nov. 17, 2016
Joel Edgerton and Ruth Negga in "Loving". Courtesy of Focus Features.

Jeff Nichols’ ‘Loving’ Is As Tender As It Is Timely

Rey Barceló
  •  
Nov. 16, 2016
Amy Adams in Denis Villeneuve's new film Arrival

Film review: Brainy alien-invasion story ‘Arrival’ marries Spectacle with Intelligence

Raymond Maspons
  •  
Nov. 11, 2016
Photo of Tower Director Keith Maitland

Interview: ‘Tower’ director Keith Maitland talks his unique documentary

Rey Barceló
  •  
Nov. 11, 2016
A scene from Park Chan-Wook's "The Handmaiden." Photo courtesy of Amazon Studios / Magnolia Pictures.

‘The Handmaiden’ at Aquarius excels, but not in the way you would think

Elaine Kim
  •  
Nov. 10, 2016
X Japan, the subject of Stephen Kijak's "We Are X," billed as "the world’s biggest and most successful band you’ve never heard of...yet." (Photo courtesy of Alamo Drafthouse Cinema)

‘We Are X’ only partially captures the brilliance and excess of Japan X

Amir Abou-Jaoude
  •  
Nov. 10, 2016
Photo: McKENZIE LYNCH/The Stanford Daily.

The Stanford Theatre: Blast from the Past, and Key to the Future

Carlos Valladares
  •  
Nov. 5, 2016
unnamed

Film review: ‘Tower’ finds humanity amidst tragedy

Rey Barceló
  •  
Nov. 4, 2016
Benedict Cumberbatch as the titular Doctor Strange. (Photo courtesy of Marvel and Film Frame).

Marvel’s ‘Doctor Strange,’ or: How I Learned to Stop Worrying and Like the MCU

Olivia Popp
  •  
Nov. 4, 2016
Pulp friction: A typical scene from Anna Billing's "The Love Witch" (Courtesy of Oscilloscope)

Film review: Technicolor feminist sex-horror B-movie ‘Love Witch’ is kinda kooky

Hannah Frakes
  •  
Nov. 2, 2016
Grimes, known for her unique blend of art pop, electronic and experimental music, performs at Way Out West in 2013. (Wikimedia Commons, Kim Metso)

Grimes and HANA embrace eccentricity in their Ac!d Reign Chronicles video series

Medina Husakovic
  •  
Oct. 28, 2016
A scene from Park Chan-Wook's "The Handmaiden." Photo courtesy of Amazon Studios / Magnolia Pictures.

‘Oldboy’ director’s ‘The Handmaiden’ is a tough, smart watch

Rey Barceló
  •  
Oct. 28, 2016
Brahim Haggiag (center, with arm outstretched) as revolutionary leader Ali La Pointe in a scene from Gillo Pontecorvo's THE BATTLE OF ALGIERS (1965). Photo courtesy of British Film Institute/Rialto Pictures.

Political movie classic “The Battle of Algiers” receives new restoration

Amir Abou-Jaoude
  •  
Oct. 28, 2016
Alex Hibbert and Mahershala Ali in Barry Jenkins' "Moonlight." Courtesy of David Bornfriend, A24.

Film review: The Miami of ‘Moonlight’ mystifies

Raymond Maspons
  •  
Oct. 27, 2016
cardinal-red-daily-s-logo

Film review: The nutty ‘Accountant’

Raymond Maspons
  •  
Oct. 16, 2016
cardinal-red-daily-s-logo

Two Cardinal Studio productions: ‘Phil 21M’ and ‘DUE BY 11:59 PM’

Raymond Maspons
  •  
Oct. 14, 2016
The Stanford Daily

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