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Film

Charlton Heston, Roddy McDowall and Kim Hunter in 'Planet of the Apes' (Courtesy of 20th Century Fox).

The original ‘Planet of the Apes’ is innovative and refreshing

Olivia Popp
  •  
March 9, 2017
"How did YOU get in here?" "The stork dropped us." (Courtesy of Jerry Murbach.)

This weekend at the Stanford Theatre: ‘Design for Living’ and ‘The Merry Widow’

Carlos Valladares
  •  
March 3, 2017
Cardinal Studios Review

Cardinal Studios’ latest films: ‘Raspberry,’ ‘Hellevator’

Chelsea Red-Horse Mohl
  •  
March 3, 2017
Amy Adams stars in writer/director Tom Ford’s (overrated?) NOCTURNAL ANIMALS. Credit: Merrick Morton/Focus Features

Worst films of 2016: ‘Nocturnal Animals’ is fashion without sense

Rey Barceló
  •  
March 2, 2017
(l-r) Alex Hibbert and Mahershala Ali in Barry Jenkins's MOONLIGHT, which won three Oscars last night, including Best Picture. Photo: David Bornfriend, A24.

Oscars 2017: In wacky finale, “Moonlight” wins Best Picture

Carlos Valladares
  •  
Feb. 27, 2017
Is this suburbia or "Rosemary's Baby"? Daniel Kaluuya stars in Jordan Peele's "Get Out" (Photo: Justin Lubin, Universal)

Jordan Peele’s “Get Out” a horror-comedy of separation

Carlos Valladares
  •  
Feb. 23, 2017
Sebastian (Ryan Gosling) and Mia (Emma Stone) in (future Best Picture winner?) LA LA LAND. Photo credit by Dale Robinette

The Daily Film Staff’s Oscars 2017 picks

Raymond Maspons
  •  
Feb. 23, 2017
Herbert Marshall steals Miriam Hopkins' garter in Ernst Lubitsch's "Trouble in Paradise."

At the Stanford: Lubitsch rom-coms hit the sweet spot

Carlos Valladares
  •  
Feb. 23, 2017
Jean-Luc Godard (center) shakes hands with Keith Richards (l) as Mick Jagger strums his guitar in Godard's "Sympathy for the Devil" (Courtesy of PopOpiq).

Throwback Thursday: Godard + The Rolling Stones = ‘Sympathy for the Devil’

Amir Abou-Jaoude
  •  
Feb. 23, 2017
Still from "I Am Not Your Negro." (Courtesy of Magnolia Pictures)

Raoul Peck redefines the Civil Rights Movement in Oscar-nominated ‘I Am Not Your Negro’

Olivia Popp
  •  
Feb. 22, 2017
Phillips Holmes and Nancy Carroll in Ernst Lubitsch's devastating "Broken Lullaby," playing at the Stanford. (Courtesy of MUBI)

At the Stanford: Ernst Lubitsch’s ‘Broken Lullaby’ restores faith in humanity

Carlos Valladares
  •  
Feb. 17, 2017
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Flashback Friday: ‘Symbiopsychotaxiplasm’ is a film even stranger than it sounds

Rey Barceló
  •  
Feb. 16, 2017
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Throwback Thursday: ‘Holiday’ is an overlooked comedy gem

Amir Abou-Jaoude
  •  
Feb. 16, 2017
Judy Holliday and Dean Martin in MGM's "Bells are Ringing," a film by Vincente Minnelli. (Courtesy of covers.box.sk.)

Flashback Friday: ‘Bells Are Ringing,’ life is singing

Carlos Valladares
  •  
Feb. 10, 2017
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Throwback Thursday: Bergman ended his career on a high note with ‘Fanny and Alexander’

Elaine Kim
  •  
Feb. 2, 2017
Taraneh Alidoosti as “Rana” (left) and Shahab Hosseini as “Emad” (right) in The Salesman directed by Asghar Farhadi. Photo courtesy of Amazon Studios and Cohen Media Group

Asghar Farhadi captivates with almost perfect ‘The Salesman’

Amir Abou-Jaoude
  •  
Jan. 31, 2017
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Throwback Thursday: ‘Blow Out’ is a knockout

Rey Barceló
  •  
Jan. 26, 2017
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Throwback Thursday: Even a minor Renoir work shines in ‘The Golden Coach’

Amir Abou-Jaoude
  •  
Jan. 25, 2017
James McAvoy in "Split". Courtesy of Universal Pictures/Blumhouse Productions

Plot twist: ‘Split’ is really good

Raymond Maspons
  •  
Jan. 25, 2017
Kristen Stewart in "Certain Women." (Photo: Jojo Whilden, IFC Films)

Oscars 2017: Who SHOULD get nominated

Carlos Valladares
  •  
Jan. 22, 2017
The Stanford Daily

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