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Film

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Stanley Donen’s ‘Charade’ provides old-fashioned fun

Abe Thompson
  •  
June 14, 2018
Hot off the presses: Rosalind Russell and Cary Grant in Howard Hawks' "His Girl Friday." Photo: Columbia/1940 and Dr. Macro.

Valladares: In a sentimental mood

Carlos Valladares
  •  
June 14, 2018
La belle Deneuve in 'The Umbrellas of Cherbourg' (1964) by Jacques Demy. (Courtesy of Janus Films)

Carlos Valladares’ favorite movies

Carlos Valladares
  •  
June 11, 2018
Courtesy of Sony Pictures Classics

Chloe Zhao’s ‘The Rider’ is riveting

Hayley Hodson
  •  
June 9, 2018
Courtesy of Walt Disney Studios Motion Pictures

‘Solo’ will satisfy Star Wars fans

Noah Howard
  •  
June 8, 2018
(Left to right) Jed Whedon, Jeph Loeb, Chloe Bennet, Ming-Na Wen and Iain de Caestecker of Marvel's "Agents of S.H.I.E.L.D." pose for photos after the show's panel at WonderCon Anaheim 2018. (OLIVIA POPP/The Stanford Daily)

WonderCon 2018: A blow-by-blow of pop culture highlights and must-sees

Olivia Popp
  •  
June 7, 2018
Arts & Life
Moll (Jessie Buckley) and Pascal (Johnny Flynn) stand on the coast of Jersey in "Beast." (Courtesy of 30WEST)

‘Beast’ lacks bite but leaves audiences haunted

Olivia Popp
  •  
May 31, 2018
AL.053118.pomegranates.crop

Throwback Thursday: Sergei Parajanov’s ‘The Color of Pomegranates’ is a mystifying masterpiece

Maxwell Menzies
  •  
May 31, 2018
Courtesy of Marvel Studios

‘Avengers: Infinity War’ is infinitely impressive

Isaac Vaught
  •  
May 30, 2018
Will Yun Lee and Dichen Lachman in "Altered Carbon." (Courtesy of Netflix)

‘Altered Carbon’ is visually radioactive yet as decaying as its name suggests

Abe Thompson
  •  
May 25, 2018
Bella Wilcox '19 and Elias Mooring '18 in a scene from "The Ocean and the Avenue." (Courtesy of Spencer Slovic)

‘The Ocean & the Avenue’: an antidote to deadened Marvel cinema

Carlos Valladares
  •  
May 25, 2018
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‘Deadpool 2’ is rife with blood, sweat and nonsense

Noah Howard
  •  
May 24, 2018
Louis Garrel as the filmmaker and Stacy Martin as his actress-wife, Anne Wiazemsky, in “Godard Mon Amour.” (Courtesy of Cohen Media Group)

‘Godard Mon Amour’ is a loving tribute to an irreverent genius

Amir Abou-Jaoude
  •  
May 15, 2018
U.S. Supreme Court Justice Ruth Bader Ginsburg in "RBG," directed by Betsy West and Julie Cohen. (Courtesy of Magnolia Pictures)

‘RBG’ fails to do justice to its subject

Amir Abou-Jaoude
  •  
May 15, 2018
John Boyega, left, and Scott Eastwood in the movie "Pacific Rim Uprising." (JASIN BOLAND/Universal Pictures)

‘Pacific Rim: Uprising’ doesn’t one-up the original

Noah Howard
  •  
May 14, 2018
Courtesy of Paramount Pictures

‘A Quiet Place’ is silently scary

Hamza Ali Zahurullah
  •  
May 10, 2018
Emma Stone in Damien Chazelle's "La La Land." (Courtesy of Lionsgate)

Recs from the Vault: The best new films I saw in theaters

Carlos Valladares
  •  
May 10, 2018
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‘Gringo’ is a confounding comedy

Zak Sharif
  •  
May 10, 2018
Courtesy of Warner Bros. Pictures

‘Rampage,’ the giant monster movie, is a colossal failure

Noah Howard
  •  
May 8, 2018
Courtesy of Focus Features

‘Brokeback Mountain’: More than 20 years later, the film and short story redefine queerness

Olivia Popp
  •  
May 4, 2018
The Stanford Daily

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