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On a blood-smeared stage, TAPS’ fall production ‘Parentheses of Blood’ glistens
Annie C. Reller
•
Nov. 30, 2022
Culture
Flying Treehouse celebrates 10-year anniversary with childish delight
Shreya Komar
•
Nov. 28, 2022
Culture
Gaieties ‘Cardinal Sin’: Fostering community through imperfections
Alexandra Blum
,
Shreya Komar
and
Anjali Ragupathi
•
Nov. 27, 2022
Culture
Food feuds: Berkeley versus Palo Alto
Greta Reich
•
Nov. 17, 2022
Culture
Palo Alto Players’ ‘Beauty and the Beast’ shines as a fairytale for the community
Kyla Figueroa
•
Nov. 14, 2022
Culture
More than murder? AATP’s ‘THE HEADLANDS’ explores family and identity
Shreya Komar
•
Nov. 14, 2022
Culture
‘Gaieties’ creative team gears up for ‘Cardinal Sin’ and Big Game
Greta Reich
•
Nov. 13, 2022
Culture
Your art world questions answered: What are some of Cantor’s recent acquisitions?
Christina Shen
•
Nov. 13, 2022
Culture
L. Song Wu’s ‘Gleaming Things’ is a provocative study of the fictional and self
Alexandra Blum
•
Nov. 10, 2022
Culture
BLACKstage is back to promoting accessible and representative theater
Cameron Duran
•
Nov. 9, 2022
Culture
Atsuko Okatsuka brings first comedy special “The Intruder” to Bing
Ellie Wong
•
Nov. 6, 2022
Culture
Robert Mapplethorpe: Images and the limits of sexual imagination
Lydia Wei
•
Nov. 6, 2022
Culture
‘It’s not a frill’: Prop. 28 and arts education funding
Kirsten Mettler
•
Nov. 3, 2022
Culture
“Bread + Medicine”: Hoover exhibit displays American relief during the 1921 Soviet famine
Serena Lee
•
Nov. 3, 2022
Culture
How the experimental production of ‘Three Days’ championed queerness and community
Hazel Le
•
Nov. 2, 2022
Culture
How Cathy Park Hong and Jen Liu’s friendship influenced their art-making
Betty He
•
Nov. 1, 2022
Culture
Why Not Theatre’s ‘Prince Hamlet’ revolutionizes accessibility and gender identity in performing arts
Ellie Wong
•
Oct. 30, 2022
Culture
Your art world questions answered: What are art fairs and art biennials?
Christina Shen
•
Oct. 30, 2022
Culture
Q&A: Casa Zapata staff share insights on ethnic identity and need for more financial investment
Ximena Sanchez Martinez
•
Oct. 25, 2022
Arts & Life
Pulitzer Prize-winning playwright Tony Kushner talks antisemitism at Stanford, 2005 film ‘Munich’
Lauren Boles
•
Oct. 23, 2022
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