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Picture of Amir Abou-Jaoude

Amir Abou-Jaoude

Opinions
Stanford's main quad

Senior reflection

Amir Abou-Jaoude
  •  
June 21, 2020
Arts & Life

‘On the Waterfront’ and on returning to the top

Amir Abou-Jaoude
  •  
Oct. 9, 2019
Featured

Sheridan Square

Amir Abou-Jaoude
  •  
June 5, 2019
Magazine

Hidden Struggle: Flaws in ballet’s disability narrative

Amir Abou-Jaoude
  •  
May 17, 2019
Arts & Life

‘The Women’ is about far more than femininity

Amir Abou-Jaoude
  •  
May 13, 2019
Arts & Life

In ‘Shame,’ Ingmar Bergman examines evil in ordinary people

Amir Abou-Jaoude
  •  
April 22, 2019
Arts & Life

American culture is under fire in ‘The Big Heat’

Amir Abou-Jaoude
  •  
April 16, 2019
Arts & Life

‘Detour’ provides a dark commentary on dreams and destiny

Amir Abou-Jaoude
  •  
April 12, 2019
Arts & Life

‘Death in Venice’ documents the decline of the bourgeoisie

Amir Abou-Jaoude
  •  
April 2, 2019

Scorsese uses allusion to conjure up ‘The Age of Innocence’

Amir Abou-Jaoude
  •  
Feb. 26, 2019

Ford and Fonda examine the legend of ‘Young Mr. Lincoln’

Amir Abou-Jaoude
  •  
Feb. 13, 2019

‘If Beale Street Could Talk’ brings Baldwin’s story to the screen

Amir Abou-Jaoude
  •  
Feb. 11, 2019

‘Midnight Cowboy’ critiques American mythology

Amir Abou-Jaoude
  •  
Feb. 8, 2019

‘The Breakfast Club’ is an antique analysis of adolescent anguish

Amir Abou-Jaoude
  •  
Feb. 5, 2019

Curators Alex Fialho and Melissa Levin on rediscovering Michael Richards’ work

Amir Abou-Jaoude
  •  
Jan. 31, 2019

‘My Man Godfrey’ supplies sidesplitting comedy and social commentary

Amir Abou-Jaoude
  •  
Jan. 22, 2019

In ‘Some Like It Hot,’ Billy Wilder explores the attributes of artifice

Amir Abou-Jaoude
  •  
Jan. 18, 2019

Orson Welles documents a family’s dizzying decline in ‘The Magnificent Ambersons’

Amir Abou-Jaoude
  •  
Jan. 17, 2019

Sex, society and ‘Shampoo’

Amir Abou-Jaoude
  •  
Jan. 14, 2019

Yung Slee crafts songs from Stanford

Amir Abou-Jaoude
  •  
Jan. 9, 2019
The Stanford Daily

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